Instead, let’s focus on some of the forms of processing and the tools we haven’t covered yet. For example, low-level compression can be used on any vocal that you want to sound full, complex, and stick through a mix. That said, we’re still trying to learn their full-capacity and discover all of the unique and perhaps unexpected ways they can be used to augment a song.Īlthough I can’t claim to know how to push the bounds of vocal samples, I do know that the foundation for a good sounding vocal sample is knowing how to process them, and knowing what tools to use to manipulate them.įor the sake of avoiding redundant information, just know that the forms of processing listed earlier can and should be used for vocal samples. Vocal samples are becoming increasingly popular and more commonly used. That’s why it’s wise to use low-level compression and saturation to create a more upfront sound with your melodic samples. This isn’t as much of an issue for drum samples since their sharp transients and specific frequencies help them pop, but for melodic samples and instruments, it can be easy to get lost. Similar to what we were discussing before with drum samples, using low-level compression on a melodic sample can bring out the more nuanced aspects of the sample.īut more importantly, low-level compression makes a melodic sample stand out in a busy mix. Whether they’re used throughout the entirety of a song, or in rare moments to create a unique transition, having a unique sounding melodic sample can augment your track. How to Take Melodic Samples to the Next LevelĪlthough not as common as percussive or vocal samples, melodic samples are still an important part of a sample-based song. The orange bar shows the range of the midi note velocities. You can use this randomizer midi-effect to randomizer the velocity of your midi notes.
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